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Devil's Manhunt Page 9


  In the interim—and herein lies another distinctive chapter of the L. Ron Hubbard story—he continually worked to open Pulp Kingdom gates to up-and-coming authors. Or, for that matter, anyone who wished to write. It was a fairly unconventional stance, as markets were already thin and competition razor sharp. But the fact remains, it was an L. Ron Hubbard hallmark that he vehemently lobbied on behalf of young authors—regularly supplying instructional articles to trade journals, guest-lecturing to short story classes at George Washington University and Harvard, and even founding his own creative writing competition. It was established in 1940, dubbed the Golden Pen, and guaranteed winners both New York representation and publication in Argosy.

  But it was John W. Campbell Jr.’s Astounding Science Fiction that finally proved the most memorable LRH vehicle. While every fan of L. Ron Hubbard’s galactic epics undoubtedly knows the story, it nonetheless bears repeating: By late 1938, the pulp publishing magnate of Street & Smith was determined to revamp Astounding Science Fiction for broader readership. In particular, senior editorial director F. Orlin Tremaine called for stories with a stronger human element. When acting editor John W. Campbell balked, preferring his spaceship-driven tales, Tremaine enlisted Hubbard. Hubbard, in turn, replied with the genre’s first truly character-driven works, wherein heroes are pitted not against bug-eyed monsters but the mystery and majesty of deep space itself—and thus was launched the Golden Age of Science Fiction.

  The names alone are enough to quicken the pulse of any science fiction aficionado, including LRH friend and protégé, Robert Heinlein, Isaac Asimov, A. E. van Vogt and Ray Bradbury. Moreover, when coupled with LRH stories of fantasy, we further come to what’s rightly been described as the foundation of every modern tale of horror: L. Ron Hubbard’s immortal Fear. It was rightly proclaimed by Stephen King as one of the very few works to genuinely warrant that overworked term “classic”—as in: “This is a classic tale of creeping, surreal menace and horror. . . . This is one of the really, really good ones.”

  L. Ron Hubbard, 1948, among fellow science fiction luminaries at the World Science Fiction Convention in Toronto.

  To accommodate the greater body of L. Ron Hubbard fantasies, Street & Smith inaugurated Unknown—a classic pulp if there ever was one, and wherein readers were soon thrilling to the likes of Typewriter in the Sky and Slaves of Sleep of which Frederik Pohl would declare: “There are bits and pieces from Ron’s work that became part of the language in ways that very few other writers managed.”

  And, indeed, at J. W. Campbell Jr.’s insistence, Ron was regularly drawing on themes from the Arabian Nights and so introducing readers to a world of genies, jinn, Aladdin and Sinbad—all of which, of course, continue to float through cultural mythology to this day.

  At least as influential in terms of post-apocalypse stories was L. Ron Hubbard’s 1940 Final Blackout. Generally acclaimed as the finest anti-war novel of the decade and among the ten best works of the genre ever authored—here, too, was a tale that would live on in ways few other writers imagined. Hence, the later Robert Heinlein verdict: “Final Blackout is as perfect a piece of science fiction as has ever been written.”

  Like many another who both lived and wrote American pulp adventure, the war proved a tragic end to Ron’s sojourn in the pulps. He served with distinction in four theaters and was highly decorated for commanding corvettes in the North Pacific. He was also grievously wounded in combat, lost many a close friend and colleague and thus resolved to say farewell to pulp fiction and devote himself to what it had supported these many years—namely, his serious research.

  Portland, Oregon, 1943; L. Ron Hubbard, captain of the US Navy subchaser PC 815.

  But in no way was the LRH literary saga at an end, for as he wrote some thirty years later, in 1980:

  “Recently there came a period when I had little to do. This was novel in a life so crammed with busy years, and I decided to amuse myself by writing a novel that was pure science fiction.”

  That work was Battlefield Earth: A Saga of the Year 3000. It was an immediate New York Times bestseller and, in fact, the first international science fiction blockbuster in decades. It was not, however, L. Ron Hubbard’s magnum opus, as that distinction is generally reserved for his next and final work: The 1.2 million word Mission Earth.

  How he managed those 1.2 million words in just over twelve months is yet another piece of the L. Ron Hubbard legend. But the fact remains, he did indeed author a ten-volume dekalogy that lives in publishing history for the fact that each and every volume of the series was also a New York Times bestseller.

  Moreover, as subsequent generations discovered L. Ron Hubbard through republished works and novelizations of his screenplays, the mere fact of his name on a cover signaled an international bestseller. . . . Until, to date, sales of his works exceed hundreds of millions, and he otherwise remains among the most enduring and widely read authors in literary history. Although as a final word on the tales of L. Ron Hubbard, perhaps it’s enough to simply reiterate what editors told readers in the glory days of American Pulp Fiction:

  He writes the way he does, brothers, because he’s been there, seen it and done it!

  For more information about the life and works of L. Ron Hubbard,

  go to www.lronhubbard.org.

  The Stories from the

  Golden Age

  Your ticket to adventure starts here with the Stories from the Golden Age collection by master storyteller L. Ron Hubbard. These gripping tales are set in a kaleidoscope of exotic locales and brim with fascinating characters, including some of the most vile villains, dangerous dames and brazen heroes you’ll ever get to meet.

  The entire collection of over one hundred and fifty stories is being released in a series of eighty books and audiobooks. For an up-to-date listing of available titles, go to www.goldenagestories.com.

  AIR ADVENTURE

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  Man-Killers of the Air

  On Blazing Wings

  Red Death Over China

  Sabotage in the Sky

  Sky Birds Dare!

  The Sky-Crasher

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  Wings Over Ethiopia

  FAR-FLUNG ADVENTURE

  The Adventure of “X”

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  SEA ADVENTURE

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  TALES FROM THE ORIENT

  The Devil—With Wings

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d

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  Wind-Gone-Mad

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  MYSTERY

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  Brass Keys to Murder

  Calling Squad Cars!

  The Carnival of Death

  The Chee-Chalker

  Dead Men Kill

  The Death Flyer

  Flame City

  The Grease Spot

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  Killer’s Law

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  Mouthpiece

  Murder Afloat

  The Slickers

  They Killed Him Dead

  FANTASY

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  He Didn’t Like Cats

  If I Were You

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  The Tramp

  SCIENCE FICTION

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  A Can of Vacuum

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  The Dangerous Dimension

  Final Enemy

  The Great Secret

  Greed

  The Invaders

  A Matter of Matter

  The Obsolete Weapon

  One Was Stubborn

  The Planet Makers

  The Professor Was a Thief

  The Slaver

  Space Can

  Strain

  Tough Old Man

  240,000 Miles Straight Up

  When Shadows Fall

  WESTERN

  The Baron of Coyote River

  Blood on His Spurs

  Boss of the Lazy B

  Branded Outlaw

  Cattle King for a Day

  Come and Get It

  Death Waits at Sundown

  Devil’s Manhunt

  The Ghost Town Gun-Ghost

  Gun Boss of Tumbleweed

  Gunman!

  Gunman’s Tally

  The Gunner from Gehenna

  Hoss Tamer

  Johnny, the Town Tamer

  King of the Gunmen

  The Magic Quirt

  Man for Breakfast

  The No-Gun Gunhawk

  The No-Gun Man

  The Ranch That No One Would Buy

  Reign of the Gila Monster

  Ride ’Em, Cowboy

  Ruin at Rio Piedras

  Shadows from Boot Hill

  Silent Pards

  Six-Gun Caballero

  Stacked Bullets

  Stranger in Town

  Tinhorn’s Daughter

  The Toughest Ranger

  Under the Diehard Brand

  Vengeance Is Mine!

  When Gilhooly Was in Flower

  Your Next Ticket to Adventure

  Settle the Score Chasing Shadows of an Outlaw!

  The outlaw Brazos has skipped town before collecting his blood money for killing a local banker. With the law hot on his tail, he escapes to Los Hornos and his “friend” Whisper Monahan. ’Course, the last time they parted ways, they weren’t exactly on good terms, but Brazos don’t got much of a choice neither.

  Whisper greets Brazos with orders to kill a local fella named Scotty Brant that has poisoned over 4,000 acres of his land by sitting on the headwaters of a rare stream, using cyanide to extract gold from an oxide ore. But this time, Brazos bites off more than he can chew when he learns Brant’s hitched up with a witch doctor! And things get right spooky when Brazos picks up another shadow after slaying the witch doctor, who, with his last breath, swears a deadly curse on his soul.

  Get

  Shadows from Boot Hill

  PAPERBACK OR AUDIOBOOK: $9.95 EACH

  Free Shipping & Handling for Book Club Members

  CALL TOLL-FREE: 1-877-8GALAXY (1-877-842-5299)

  OR GO ONLINE TO

  www.goldenagestories.com

  Galaxy Press, 7051 Hollywood Blvd., Suite 200, Hollywood, CA 90028

  JOIN THE PULP REVIVAL

  America in the 1930s and 40s

  Pulp fiction was in its heyday and 30 million readers were regularly riveted by the larger than life tales of master storyteller L. Ron Hubbard. For this was pulp fiction’s golden age, when the writing was raw and every page packed a walloping punch.

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  Enroll today in the Stories from the Golden Age Club and begin receiving your monthly feature edition selected from more than 150 stories in the collection.

  You may choose to enjoy them as either a paperback or audiobook for the special membership price of $9.95 each month along with FREE shipping and handling.

  CALL TOLL-FREE: 1-877-8GALAXY (1-877-842-5299)

  OR GO ONLINE TO

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  AND BECOME PART OF THE PULP REVIVAL!

  Prices are set in US dollars only. For non-US residents, please call 1-323-466-7815 for pricing information. Free shipping available for US residents only.

  Galaxy Press, 7051 Hollywood Blvd., Suite 200, Hollywood, CA 90028